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Nicolas Dubreuille’s journey towards art has been a circuitous one: after starting out in visual communication, working as a graphic designer and extensive practice of ceramics, by the middle of 2010 he devoted himself to pain sculptureting. His art was progressively subjected to the language of geometry infusing it with a playful spirit, excluding the austerity often associated with this form of art.
Nicolas Dubreuille’s journey towards art has been a circuitous one: after starting out in visual communication, working as a graphic designer and extensive practice of ceramics, by the middle of 2010 he devoted himself to pain sculptureting. His art was progressively subjected to the language of geometry infusing it with a playful spirit, excluding the austerity often associated with this form of art.
Nicolas Dubreuille’s journey towards art has been a circuitous one: after starting out in visual communication, working as a graphic designer and extensive practice of ceramics, by the middle of 2010 he devoted himself to pain sculptureting. His art was progressively subjected to the language of geometry infusing it with a playful spirit, excluding the austerity often associated with this form of art.
Nicolas Dubreuille’s journey towards art has been a circuitous one: after starting out in visual communication, working as a graphic designer and extensive practice of ceramics, by the middle of 2010 he devoted himself to pain sculptureting. His art was progressively subjected to the language of geometry infusing it with a playful spirit, excluding the austerity often associated with this form of art.
Nicolas Dubreuille’s journey towards art has been a circuitous one: after starting out in visual communication, working as a graphic designer and extensive practice of ceramics, by the middle of 2010 he devoted himself to pain sculptureting. His art was progressively subjected to the language of geometry infusing it with a playful spirit, excluding the austerity often associated with this form of art.
Nicolas Dubreuille’s journey towards art has been a circuitous one: after starting out in visual communication, working as a graphic designer and extensive practice of ceramics, by the middle of 2010 he devoted himself to pain sculptureting. His art was progressively subjected to the language of geometry infusing it with a playful spirit, excluding the austerity often associated with this form of art.
Nicolas Dubreuille’s journey towards art has been a circuitous one: after starting out in visual communication, working as a graphic designer and extensive practice of ceramics, by the middle of 2010 he devoted himself to pain sculptureting. His art was progressively subjected to the language of geometry infusing it with a playful spirit, excluding the austerity often associated with this form of art.
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80x120cm
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ARTIST’S BIO
Nicolas Dubreuille’s journey towards art has been a circuitous one: after starting out in visual communication, working as a graphic designer and extensive practice of ceramics, by the middle of 2010 he devoted himself to pain sculptureting. His art was progressively subjected to the language of geometry infusing it with a playful spirit, excluding the austerity often associated with this form of art.
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OTHER WORKS BY
Nicolas Dubreuille
Ref. 368
100 x 100 cm
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Ref. 373
100 x 100 cm
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Ref. 369
100 x 100 cm
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Ref. 375
100 x 100 cm
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Ref 327
150x150cm
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Ref 347
80x120cm
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Ref 366
100x100cm
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Ref 320
150x150cm
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Ref 324
150x150cm
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Ref 344
120x120cm
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Ref 362
120x85cm
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Ref 352
60x102cm
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Ref (S356)
54x35x37cm
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Ref 361
120x50cm
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Ref (S347)
49x20x30cm
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Ref (S369)
160x60x60cm
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Ref (S330)
59x26x26cm
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Ref (S318)
175x110x90cm
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